At 230am we woke up, got ready, and made our slow way to the railway station. And we couldn't find our train. Upon enquiring at the booking counter, we found out we were at the wrong railway station. Panic! We rushed out of the station (believe me, no easy thing with all those bags) and squeezed into one auto, bags and all, to make our quickest possible way to the correct station (note: 3 huge baifellas + 3 huge baifellas' huge luggage + auto driver + auto driver's uninvited friend + bad roads + crazily parked lorries = not very quick). Finally, after a nerve-wracking ride, we made it to the station in time to get on our train, which started moving shortly after that. Moral of the story: when leaving from Delhi by train, always check whether it's from Old Delhi or New Delhi.
The train we caught was actually a sleeper from Jammu, hence we got sleeping berths. And they were pretty comfortable too... nothing like a moving train to rock you to sleep. We caught up on some of our lost sleep, and it didn't seem long before we arrived in Jaipur.
At the railway station we went to the tourist office, from which we arranged transportation to our hotel as well as for the rest of the day to conduct a whirlwind tour of Jaipur. Since we'd only allowed for an overnighter, we figured this was the best way to do the city. The prices quoted were pretty affordable too (can't remember now, but think it was in the range of 2000Rp). Our first stop was our hotel, the
Arya Niwas. It was mentioned in the Lonely Planet as a budget hotel, and we only opted for it because for some reason all the mid-range hotels we wanted were fully booked, so we were resigned to another Namashkar-esque hovel. Boy were we surprised...

The digs were actually pretty impressive, built to resemble a typical Indian
haveli. The rooms were spacious and fully airconditioned, a boon in the hot Rajasthani summer, and with excellent plumbing to boot.. all this for a budget-level price of 1200Rp! If this was a budget hotel, it made us wonder how the mid-range hotels were like..
After dumping our bags we promptly started on our whirlwind tour. It was now 12pm, and we had roughly half a day to cover most of Jaipur's attractions, so it was going to be pretty tight. But first, we had to have the customary 90-minute lunch, after which our destination was the
Jantar Mantar.




The fascination of Jantar Mantar for me is the unexpectedness of it all, to encounter such angles and curves amidst the more traditional Mughal/Hindu architecture. It's like coming across a Salvador Dali exhibition in the Vatican. The Jantar Mantar wasn't new to me however, since I've been to its Delhi cousin on my previous trip up North.
After our morning dose of weird science we headed across the road to the Jaipur palace.



Part of the palace is still cordoned off as the official Jaipur residence of the maharaja (yep there's
still one, although he spends most of his time abroad these days). The rest of it has been converted to a gaggle of museums, displaying royal heirlooms such as clothing and weaponry.

We were invited to watch a short puppet show featuring not only your standard booty-shaking dancing girl, but Michael Jackson and the Devil.

Just inside the entrance, on the left and right, are the largest silver vessels in the world, as duly noted in the Guinness Book of Records. These were supposed to contain holy water from the Ganges, for the Maharaja to take along with him on his travels.


Two of the four doorways into this square, each doorway representing a season. These two were winter (hah!) and summer.
Our next destination was Jaigarh Fort, 15km further up in the hills north of Jaipur.

On the way up this security guard came up to me and tried to charge me for taking pictures on my camera - the first of many such occurences to come during the remainder of our Jaipur/Delhi travels. I refused and just said I'll keep my camera in the car, and even offered to delete my previous pictures since he kept insisting I pay. Eventually I made him go away none the richer after I kept my camera in the car. The following snaps were taken with my handphone camera.




I never got the whole deal about charging extra for cameras, which is especially outdated in the age of the cameraphone. I mean, what's the rationale behind this rule? It seems like nothing short than just another way to get tourist money. It's to the eventual detriment of the place in question, I feel, since by discouraging photography you're preventing other people from learning about its beauty and hence paying it a visit. Just another example of unproductive short-termist beauracratic greed.
The fort was also home to the
biggest wheeled cannon ever built, but because of these silly rules I can't show you a pic.
It was high summer in Jaipur, with temperatures in the mid- to upper thirties. We were averaging one mineral water bottle per hour in the killing heat, and walking around the unsheltered fort were just making it worse... which was another reason (apart from the time constraints) we didn't spend too much time exploring the environs of Jaigarh. Instead we headed on to the neighbouring fort of Nahargarh.
Nahargarh was the highlight of Jaipur for me. It was exactly how I imagined an abandoned Indian palace would be... a majestic facade masking a run-down labyrinth with dark passageways and endless corridors, beauty in decay.





And to top it all, the fort offers amazing views of the sprawling city of Jaipur directly below.





The rooftop. More pictures of Nahargarh can be found
here.
The fort also houses a cafe and a hotel (another place I'd love to stay in if I get the opportunity to revisit). We went to the cafe for a couple of cooling beers.

Godfather strikes again!
Next up was the third and final fort -
Amber, which was also the previous home of the Maharajas before Jaipur was founded.


A settlement has mushroomed around the fort, enveloping the old gateways and lining the entrances to the fort.


The route to the fort was swarming with guides offering their services, every one of them 'students' who were doing this to fund their studies. One 'student' even stopped our car in the village to offer his services. I suppose it's up to the individual whether he/she would like to contribute to the educational standards of the population, but do keep in mind that the fort entrance offers excellent audio guides for a small amount.

The entrance to the palace.



The royal gardens.




The
zenana, or royal harem.




Closing time. We made it out just in time.
As the sun started to set, we made our way back to Jaipur. Due to lack of time we had to scrap our plan to watch the sunset from one of the forts or from a rooftop cafe. Instead we had to rush back to change and get ready for our next destination. However we did have enough time to stop near the Jal Mahal (Water Palace) so that Dave could go on a camel ride, one major aim of this trip.

The water palace.

Unfortunately the camel didn't take Dave too far away from us, so we had to resume our journey with him (Dave, not the camel) along. We headed back to the hotel for a quick bath and change of clothes, after which we emerged once again to go to
Chokhi Dhani.
Chokhi Dhani was a sort of theme park some 30km out of Jaipur, showcasing elements of Rajasthani culture set up as a traditional
mela, or village carnival. Even the performers are actually from the villages who performed in the village melas.It was quite professionally done from very beginning, as you're greeted by a traditional song and the someone applieas a tikka (red powder) on our foreheads making us all look like dacoits.
The park itself was quite big, with every space fully utilized. The main attractions were the dance platforms, where one can find the colourful and fluid traditional Rajasthani dance performances. The performers were pretty awesome as well - being able to bend over backwards to pick a piece of paper with your eyelid is not something you see everyday. There are notices everywhere discouraging people from tipping the performers, but at the end of every performance the girls will be looking at you expectantly, so naturally we found it hard to resist giving a contribution (we tried hard! Really!). Govin even tried to take a photo with one of the girls, but in the final shot he got crowded out by the various old ladies who were doing the singing, probably wary of these foreigners getting anywhere near these girls unchaperoned.
Of course the dance performances weren't the only thing happening at Chokhi Dhani. There were also magic shows, elephant rides, games, and one surreal section that Govin and I stumbled to while walking around (Dave was in the toilet, having another dose of the runs). We were exploring the edges of the park when we stumbled across this tribal village thing with kids wearing tigerskins who handed us sticks and got us to dance with them. It was quite a strange moment, me and Govin dancing with sticks in our hands surrounded by jumping boys in tigerskins. But it must have touched a primal chord within us since it didn't take long for us to get into the groove. Sadly we couldn't linger long since Dave had emerged from the toilet and was frantically trying to reach us, probably afraid that we had left him in the deserts of Rajasthan and fled to civilization.
After exploring the environs we sat down to a traditional Rajasthani thali meal which was extremely filling, since the courses and the helpings kept on coming seemingly incessantly. Finally they let us go and we could stumble out of the park, bloated to the gills. As a microcosm of Rajasthani culture I suppose you can't beat Chokhi Dhani, and it's pretty obvious that the whole park has been designed so that everyone can extract maximum enjoyment from it. I was impressed by the orderly and disciplined manner that the whole show was being run, quite a rare find in India. All this doesn't come cheap though, at about 1200Rp per person (inclusive of meals) it was quite a high price to pay for a night's entertainment. But pricey as it was, I think it was quite worth it.
Along the way back we stopped to get a bottle of Coke so as to finish up our bottle of Black Label that we had brought from Singapore. The Black Label had been a source of nourishment on our many train rides, as one of us would try to sneak of as unconspicuously as possible to the coach toilet or a quiet spot on a railway platform to pour some Black Label into previously bought Coke or Pepsi bottles. Of course in such undercover missions some spillage was bound to happen, but most of the time we tried to ensure that as little as possible went to waste. And so that we did not remain dry once the Black Label was over, enroute to Chokhi Dhani we had also bought a bottle of Bacardi. Sufficiently stocked, we could satisfactorily look back that night on what had indeed been a most productive and eventful day.